BHM Collective Highlight





Week 2 of February 2024    

The Vivid Worlds of Sam Gilliam and Stanley Whitney

In the dynamic world of contemporary art, few names evoke the vibrancy and depth of color as powerfully as Sam Gilliam and Stanley Whitney. These two artists, each with a unique approach to abstraction, have significantly impacted the art scene, challenging traditional boundaries and inviting viewers to experience color in profoundly innovative ways.

Sam Gilliam: The Drapery Master

Sam Gilliam, born in Tupelo, Mississippi, in 1933, emerged as a groundbreaking figure in the 1960s. Best known for his draped canvas works, Gilliam defied the conventional methods of painting by removing the canvas from its stretcher and letting it hang freely. This technique, often referred to as "drapery," allows his works to exist in a state of flux, emphasizing the sculptural possibilities of painting.

Gilliam's early work, influenced by the Washington Color School, embraced the flat, abstract use of color. However, he quickly began to experiment with more radical ideas. By the late 1960s, his decision to drape his canvases transformed the two-dimensional surface into a three-dimensional experience. This innovation was not just a departure from tradition but a statement of liberation, reflecting the social and political upheavals of the time.

His work, characterized by bold, sweeping colors and dynamic compositions, invites viewers to engage with the physicality of painting. Pieces like "April 4" (1969), a tribute to Martin Luther King Jr., showcase his ability to blend emotion with abstraction, creating a visual language that is both personal and universal.

Stanley Whitney: The Rhythm of Color

Stanley Whitney, born in Philadelphia in 1946, is another luminary in the realm of abstract art. Known for his vibrant grids of color, Whitney's paintings are symphonies of hues, meticulously arranged to create a sense of rhythm and harmony. His approach to color is both intuitive and deliberate, resulting in works that pulse with energy and life.

Whitney's journey as an artist took him across continents, from the United States to Europe, where he absorbed influences from a diverse range of artistic traditions. His time in Italy, in particular, had a profound impact on his understanding of color and light. Inspired by the Renaissance frescoes and the Mediterranean landscape, Whitney began to develop his signature style: fields of color blocks separated by loosely painted lines.

In works like "Dance the Orange" (2013), Whitney's use of color transcends mere aesthetic pleasure. His compositions evoke a sense of musicality, each block of color like a note in a score, contributing to an overall harmony. The titles of his works often reference jazz music, underscoring the improvisational nature of his process and the importance of rhythm in his compositions.

A Legacy of Color and Innovation

Both Sam Gilliam and Stanley Whitney have carved out distinctive niches within the world of abstract art. While their techniques and approaches differ, their work shares a profound exploration of color and its potential to evoke emotion and meaning.

Gilliam's draped canvases challenge viewers to reconsider the boundaries of painting, turning the medium into a sculptural experience. His work is a testament to the power of innovation and the endless possibilities within abstraction. Whitney's color grids, on the other hand, offer a meditative journey through rhythm and hue, inviting viewers to lose themselves in the interplay of color.

Their contributions to contemporary art are invaluable, pushing the limits of abstraction and inspiring new generations of artists to explore and innovate. In the vivid worlds of Sam Gilliam and Stanley Whitney, color becomes more than just a visual element; it becomes a language, a rhythm, and a profound expression of the human experience.

As we continue to engage with their work, we are reminded of the limitless potential of art to transform our perception and to inspire us to see the world in new and unexpected ways.